Adoremus crucis signaculum per quod | Cantus Manuscript Database

Adoremus crucis signaculum per quod

Source
Solesmes, Abbaye de Saint-Pierre, 596 (The Wilton Processional)
Folio
045v
Sequence
2
Feast
Fer. 6 in Parasceve
Office/Mass
X
Genre
A
Cantus ID
a00291
Mode
7
Manuscript Reading Full Text (standardized spelling)
Adoremus crucis signaculum per quod salutis sumpsimus sacramentum in quo dominus noster quasi in statera seipsum pretio nostra pensavit ut vita vendita fieret mors captiva in quo et mundus gravi lapsu corruit sanctos pedes Christus affixit et contra fortem fortiorem hujus mundi triumphatorem ostendens hoc tamen plus est mirabile quia quo totius mundus proficeret in una stans stipite cursum victor implevit
Manuscript Reading Full Text (MS spelling)
Adoremus crucis signaculum per quod salutis sumpsimus sacramentum in quo dominus noster quasi in statera seipsum precio nostra pensavit ut vita vendita fieret mors captiva in quo et mundus gravi lapsu corruit sanctos pedes Xpistus affixit et contra fortem fortiorem huius mundi triumphatorem hostendens hoc tamen plus est mirabile quia quo totius mundus proficeret in una stans stipite cursum victor implevit

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F-SO 596
045r <  > 046r
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Folio: 045v - Feast: Fer. 6 in Parasceve
1 X AV 05 Christus dominus humiliavit semetipsum factus 002522g
2 X A Adoremus crucis signaculum per quod a00291
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CANTUS Database
F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Proofreader:
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt