Gloria laus et honor tibi sit rex Christe redemptor cui | Cantus Manuscript Database

Gloria laus et honor tibi sit rex Christe redemptor cui

Source
Solesmes, Abbaye de Saint-Pierre, 596 (The Wilton Processional)
Folio
033r
Sequence
3
Feast
Dom. in Palmis
Office/Mass
X
Genre
HV
Position
01
Cantus ID
008310:01
Mode
1
Manuscript Reading Full Text (standardized spelling)
Gloria laus et honor tibi sit rex Christe redemptor cui puerile decus prompsit hosanna pium
Manuscript Reading Full Text (MS spelling)
Gloria laus et honor tibi sit rex xpiste redemptor cui puerile decus prompsit osanna pium | Gloria laus
Indexing Notes
Cum ad portam appropinquaverunt ad terciam stationem desuper portas tendunt tapeta optima et si serenum fuerit parva tres infantes ascendant.

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Source navigation
F-SO 596
032v <  > 033v
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Folio: 033r - Feast: Dom. in Palmis
1 X R Cum audisset turba quia Iesus 600442
2 X V 01 Et cum appropinquasset ad descensum 600442a
3 X HV 01 Gloria laus et honor tibi sit rex Christe redemptor cui 008310:01
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CANTUS Database
F-SO 596
Provenance: English
Date: 13th century (1275-1300) | late 13th c.
Cursus: Monastic
Inventoried by: Proofreader:
The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.
Contributor: Alison Altstatt