Hymnum cantate*
- Folio
- 135v
- Sequence
- 1
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 006872.
Source navigation
SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
135r <
> 136r
Folio: 135v - Feast: Dom. 4 p. Pascha
Folio: 135v - Feast: Hebd. 5 p. Pascha
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Folio: 135r - Feast: Dom. 3 p. Pascha
Folio: 135r - Feast: Hebd. 4 p. Pascha
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| 1 | L A B | Modicum et non videbitis me | 003803 |
| 2 | V2 A M | Iterum autem videbo vos et | 003465 |
| 3 | E A 1 | Quid est hoc quod dicit | 004519 |
| 4 | E A 2 | Amen amen dico vobis quia | 001375 |
| 5 | E A 3 | Tristitia vestra alleluia | 005190 |
| 6 | E A 4 | Tristitia implevit cor | 005189 |
Folio: 135v - Feast: Dom. 4 p. Pascha
| 1 | V R | Hymnum cantate* | 006872 |
| 2 | L A B | Vado ad eum qui misit | 005306 |
| 3 | V2 A M | Cum autem venerit ille | 001990 |
| 4 | E A 1 | Ego veritatem dico vobis | 002607 |
| 5 | E A 2 | Adhuc multa habeo vobis | 001276 |
| 6 | E A 3 | Ille me clarificabit quia de | 003172 |
| 7 | E A 4 | Vado ad eum qui misit | 005304 |
Folio: 136r - Feast: Dom. 5 p. Pascha
Folio: 136r - Feast: Hebd. 6 p. Pascha
| 1 | V R | Deduc me in semitam* | 006403 |
| 2 | L A B | Usque modo non petistis | 005284 |
| 3 | V2 A M | Exivi a patre et veni | 002793 |
| 4 | V A 1M | Ecce nunc palam loqueris et | 002530 |
| 5 | V A 2M | Petite et accipietis ut | 004279 |
| 6 | L A 1B | Petite et dabitur vobis | 004280 |
| 7 | L A 2B | Omnis qui petit accipit et | 004151 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).